Market Diagnostics
Korean Circuit
The following diagnostic charts have been compiled by Marquee Stars from our database of more than two thousand international bellwether films. Our purpose is to identify the characteristics of the typical successful film within theatrical markets. Periodically, we will analyze different international markets. Although Marquee Stars strongly discourages the notion of producing or marketing motion pictures based strictly on the numbers, we also recognize that an awareness of what typically works within a given market segment can provide a quick measuring stick for assessing relative risk. (Note: For definitions of Marquee Stars terminology, refer to our Starpedia.)
Posted: February 15, 2010
We have chosen the Korean language circuit for our first market diagnostic. Underappreciated by most cinephiles in the West, South Korean cinema has entered a period of ascendancy. Supported by a lucrative local box office, the South Korean film industry has embraced a strong sense of on-camera naturalism, similar in tone to Scandinavian cinema, which in turn has led to better screen stories, inventive story-sensitive directors and many noteworthy actor performances. In recent years, a few English-speaking South Korean stars have found their way into major Hollywood productions, such as actors Rain in Ninja Assassin and Byung-hun Lee in G.I. Joe, and American-Korean actress Yunjin Kim in ABC-TV’s Lost.















































